Review: The Borderlands

Written and directed by Elliot Goldner is the story of Vatican priests sent to investigate supernatural activity at an old church.

Set in the British West Country a team of paranormal investigators examine reports made by a local priest. Events spiral out of control as the investigators soon uncover the church’s dark and troubled history.

Yet another ‘found footage’ film, The Borderlands doesn’t bring anything new to the genre, but unlike similar forays, is actually a decent film. A large part of the credit must go to the cast, whose excellent performances are both convincing and charismatic. Gordon Kennedy is terrific as troubled priest Deacon, Aidan McArdle is superb as the sceptical priest Mark and Robin Hill is hilarious as Gray, the non believer with an open mind.

The film takes its story, script and direction seriously, with all the elements having been thought through, planned and executed brilliantly. The chemistry between Kennedy and Hill is perfect as two men grudgingly learning to trust each other and is the heart of the film. That non-believer Gray is the one willing to believe where as the two world-weary priests are the cynics of the team is a nice touch. The film turns the screw slowly, gradually putting its pieces into place and pays off, unlike most horror films, with an ending that is both satisfying and shocking.

A slow-burner with genuine scares, this isn’t just a ‘found footage’ film it’s a proper British horror movie.

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